视频推荐
在线 电影 高清,站在你的角度看我 第一季
老司机影视的会员,轮回派对 第二季
川岛芳子电影,这个大叔不太囧
爱情的力量电影,安妮卡 第二季
权相佑主演的电影全集,王者之旅
有点色的电影,歪打正着2021
巴巴电影网,王者万岁
电影八佰的真实历史,万物理论 The Theory of Everything[电影解说]
警察故事4简单任务电影国语版,普通男女[预告片]
胖姐妹电影,马桶妖怪3
韩国手机在线论理电影,锦衣之下之绣春刀
蜜桃成熟时电影在线看,包法利夫人
熊出没之回家过年电影在线观看,不思议游戏OVA3:永光传
电影王老虎抢亲越剧全集,唇膏
郑伊健 电影,百花缭乱 武士新娘 特典
热血街区电影3完整版,同期的小樱
聊斋之艳蛇 电影,基友大过天
melody雏marks电影,我家买了动物园 We Bought a Zoo[电影解说]
电影幽灵射手,瓦嘉达 وجدة[电影解说]
switch电影,极速车魂
上位电影,鬣狗式生存
87福利电影网,魔力月光 Magic in the Moonlight
电影2046,A子计划2:大德寺财团的阴谋
重生电影世界,末日驾驶员
电影荒蛮故事,第43届肯尼迪中心年度荣誉奖
2021天狼影视电视剧国产剧,我的母校
日不落酒店 电影,你第二季
五路追杀令电影下载,一些未知的事情正在发生,我们不知道是什么
天蝎降电影,开球:高尔夫女王
0854影视,事不过三[电影解说]
2828电影高清在线播放,灵狐圣子2:仙山大战
奇米影视6666,神探泰兰
薛定谔的猫 电影,月之暗面第二季
人间中毒电影在线观看未删减,月之暗面第一季
她 电影 2016,古宅老友记 第五季

没有和解

类型: 剧情,剧情片
地区: 其它
年份: 1965
主演: Heinrich Hargesheimer,Carlheinz Hargesheimer,Martha Staendner,达尼埃尔·于伊耶,Henning Harmssen,Ulrich Hopmann,Joachim Weiler,Eva-Maria Bold,Hiltraud Wegener,Ulrich von Thüna,Ernst Kutzinski,Karl Bodenschatz,Heiner Braun,Georg Zander,Lutz Grubnau,若阿内斯·巴尔斯基,保罗·埃塞尔
导演: 让-马里·斯特劳布,达尼埃尔·于伊耶

剧情介绍

The subtitle of Jean-Marie Straub and Danièle Huillet’s first feature, from 1965, “Only Violence Helps Where Violence Reigns,” suggests the fierce political program evoked by their rigorous aesthetic. The pretext of the film, set in Cologne, is Heinrich Böll’s novel “Billiards at Half Past Nine,” which they strip down to a handful of stark events and film with a confrontational angularity akin to Bartók’s music that adorns the soundtrack. The subtlest of cues accompany the story’s complex flashbacks. The middle-aged Robert Fähmel tells a young hotel bellhop of persecutions under the Third Reich; his elderly father, Heinrich, an architect famed for a local abbey, recalls the militarism of the First World War, when his wife, Johanna, incurred trouble for insulting the Kaiser. A third-generation Fähmel is considering architecture, just as the exiled brother of Robert’s late wife, returns, only to be met by their former torturer, now a West German official taking part in a celebratory parade of war veterans. Straub and Huillet make the layers of history live in the present tense, which they judge severely. The tamped-down acting and the spare, tense visual rhetoric suggest a state of moral crisis as well as the response—as much in style as in substance—that it demands.
热门推荐